When Angela Braddock enters her quilts in an Amish auction, she never expects one of her neighbors to end up going, going, gone.... Angie is finding her niche as the new owner of her late aunt’s Amish quilt shop, Running Stitch. But as the summer is winding down, so is business. To bolster support for the shop, Angie decides to sell her quilts in the Rolling Brook Amish Auction, including some of her aunt’s most prized works. The quilts promise to be a hit—but the gavel comes down on the lively event when Angie stumbles upon the body of township trustee Wanda Hunt behind a canning shed. The cause of death: a poisoned blueberry fry pie from Rachel Miller’s bakery table. Now Angie’s closest friend is a murder suspect. With Angie taking the lead, she and the other women of her aunt’s quilting circle set out to patch together the clues and stop a killer set on shredding the simple peace of Rolling Brook. Includes Quilting Tips!
Amish quilt shop owner Angie Braddock has a lot on her plate this Christmas. But things only get worse after someone develops a taste for murder… Angie’s parents are visiting Rolling Brook for Christmas—but unfortunately, her ex is joining them. Luckily, Angie has no time to dwell on her romantic troubles as she prepares her store, Running Stitch, for the town’s traditional progressive dinner, featuring a sleigh ride stopping at each shop for a different course of the meal. The meal ends with an Amish-themed Christmas play at the Swiss Valley Hotel and Barn. But the performance is cut short when an actress falls from the scaffolding to her death. After the sheriff suspects foul play, tensions between the Amish and Englisch heat up, as do rivalries among the acting troupe. Now Angie and her quilting circle must stitch together clues before they’re the ones running for cover… INCLUDES QUILTING TIPS!
In the latest from the author of Murder, Served Simply, an Amish man checks out permanently, but quilt shop owner Angie Braddock’s got this mystery covered… With so much to do between running her shop and spending time with her new boyfriend, it’s amazing Angie is able to help organize the Rolling Brook library's annual book sale. Luckily she’s working alongside brash librarian Austina Shaker, a lady who isn’t afraid to make waves to get books to her patrons—even the Amish. Unfortunately, this draws the ire of cranky Bartholomew Belier, an Old Order Amish bishop, who publicly vows to ruin Austina. And she certainly might be ruined after Belier is found dead in her bookmobile. Now Angie must employ the help of her loyal quilting circle—as well as her beloved French bulldog, Oliver—if she hopes to prove Austina’s innocence before the real killer books it… INCLUDES QUILTING TIPS
Having moved to an Amish community in Holmes County, Ohio, to run a quilting shop, Angie Braddock has to put her dreams of success on hold when a local woodworker winds up dead in her storeroom. Original.
Amish quilt shop owner Angie Braddock crosses wires with a killer in the latest from the national bestselling author of Murder, Plainly Read... Spring has arrived in Holmes County and Angie couldn’t be happier. She’s got great friends, a thriving business, and is in the perfect relationship with Sheriff James Mitchell. The only thing raining on her parade is her mother drafting her into a massive home renovation project—and using their sudden mother/daughter bonding time to comment on Angie’s ticking biological clock. The house’s repairs and upgrades between the Amish craftsmen and their Englisch counterparts are proceeding well until a tremendous shock comes to the workers when the electrician is found dead on site. With the sheriff suspecting foul play, it falls to Angie to root a killer out of the woodwork. . . .
Author: Ellen L. O'Brien
Publisher: Ohio State University Press
Release Date: 2008
Over the last few decades, Victorian scholars have produced many nuanced studies connecting the politics of crime to the generic developments of the novel—and vice versa. Ellen L. O’Brien’s Crime in Verse grants the same attention and status to poetic representations of crime. Considering the literary achievements and cultural engagements of poetry while historicizing murder’s entanglement in legal fictions, punitive practices, medical theories, class conflicts, and gender codes, O’Brien argues that shifting approaches to poetry and conflicted understandings of murder allowed poets to align problems of legal and literary interpretation in provocative, disruptive, and innovative ways. Developing focused analyses of generic and discursive meanings, individual chapters examine the classed politics of crime and punishment in the broadside ballad, the epistemological tensions of homicidal lunacy and criminal responsibility in the dramatic monologue, and the legal and ideological frictions of domestic violence in the verse novel and verse drama. Their juxtaposition of the rhymes of anonymous street balladeers, the underexamined verse of “minor” poets, and the familiar poems of canonical figures suggests the interactive and intertextual relationships informing poetic agendas and political arguments. As it simultaneously reconsiders the institutional and ideological status of murder and the aesthetic and political interests of poetry, Crime in Verse offers new ways of thinking about Victorian poetry’s contents and contexts.
Author: Sue Grafton
Publisher: Pan Macmillan
Release Date: 2011-02-23
Q is for Quarry is the seventeenth in the Kinsey Millhone mystery series by Sue Grafton and is based on a true crime. She was a 'Jane Doe', an unidentified white female whose decomposed body was discovered near a quarry off California's Highway 1. The case fell to the Santa Teresa County Sheriff's Department, but the detectives had little to go on, and after months of investigation, the murder remained unsolved. That was eighteen years ago. Now the two men who found the body, both nearing the end of long careers in law enforcement, want one last shot at the case . . . and they turn to Kinsey Millhone to help them find closure. But revisiting the past can be a dangerous business, and what begins with the pursuit of Jane Doe's real identity ends in a high-risk hunt for her killer. Based on an unsolved homicide that occurred in 1969, Q is for Quarry and Grafton's interest in the case have renewed police efforts. The body has been exhumed, and a facial reconstruction made that appears in the last pages of the novel. It is hoped that the photograph will trigger memories that may lead to a positive identification.
In this first full-length biography of Benjamin Mays (1894-1984), Randal Maurice Jelks chronicles the life of the man Martin Luther King Jr. called his "spiritual and intellectual father." Dean of the Howard University School of Religion, president of Morehouse College, and mentor to influential black leaders, Mays had a profound impact on the education of the leadership of the black church and of a generation of activists, policymakers, and educators. Jelks argues that Mays's ability to connect the message of Christianity with the responsibility to challenge injustice prepared the black church for its pivotal role in the civil rights movement. From Mays's humble origins in Epworth, South Carolina, through his doctoral education, his work with institutions such as the National Urban League, the NAACP, and the national YMCA movement, and his significant career in academia, Jelks creates a rich portrait of the man, the teacher, and the scholar. Benjamin Elijah Mays, Schoolmaster of the Movement is a powerful portrayal of one man's faith, thought, and mentorship in bringing American apartheid to an end.
Camille Howland Mariani, retired college public relations director, journalist, and newspaper editor, is the author of several magazine articles, as well as the SUNY Canton College history, Seventy Years of Change. Having turned to writing fiction, she previously published Lucille's Lie. The Maine native resides with her husband, Albert J. Mariani, in Sun City Center, Florida. On returning to her home city of Twin Ports, Maine, Dee Major learns that her mother, Aletha, is dead. Officials call the hanging a suicide. But Dee has good reason to believe it is murder as well as a far-reaching conspiracy. To learn the truth, Dee must find Aletha's will. Just when it appears that she has the evidence to prove her theory, her own courage and will to live are put to the test by the egocentric murderer.