When Keitaro Urashima fails his entrance exams to get into Tokyo University for the second time, he's officially an unemployed and uneducated slacker. To make things worse, his parents have kicked him out of his house. Fortunately, his grandmother owns the fabulous Hinata Lodge and has agreed to take Keitaro in as caretaker. What he doesn't know is that the lodge is actually a girl's dorm and he's the only guy around! Most guys would kill to live with five sexy ladies, but if Keitaro's not careful, this job will kill him. FINAL VOLUME!
Author: Michael Pawuk
Release Date: 2017-05-30
Genre: Language Arts & Disciplines
Covering genres from action/adventure and fantasy to horror, science fiction, and superheroes, this guide maps the vast and expanding terrain of graphic novels, describing and organizing titles as well as providing information that will help librarians to build and balance their graphic novel collections and direct patrons to read-alikes. • Introduces users to approximately 1,000 currently popular graphic novels and manga • Organizes titles by genre, subgenre, and theme to facilitate finding read-alikes • Helps librarians build and balance their graphic novel collections
For nearly 30 years, Frank Zappa was one of the most influential, innovative, and controversial musicians in rock, despite minimal radio airplay. This biography goes beyond the myths that surround this musical satirist to explore the life, career, and influences of an outrageously gifted composer. Both with his early band, the Mothers of Invention, and in his subsequent solo work, Zappa poked fun at middle-class conformity, hippies, disco, and the Reagan era while breaking musical ground with his combination of jazz, rhythm and blues, doo-wop, social and political parody, and rock and roll. This book traces Zappa's cultural and musical roots to Erik Satie, Arnold Schoenberg, Igor Stravinsky, Charles Ives, and Zappa's true hero, avant-garde composer Edgard Varese.
Author: Walt Whitman
Publisher: University of Iowa Press
Release Date: 2011-04-01
In his 1859 “Live Oak, with Moss,” Walt Whitman’s unpublished sheaf of twelve poems on manly passion, the poet dreams of a city where men who love men can live and love openly. The revised “Live Oak, with Moss” poems became “Calamus,” Whitman’s cluster of poems on “adhesive” and manly love, comradeship, and democracy, in Leaves of Grass. Commemorating both the first publication of the “Calamus” poems and the little-known manuscript of notebook poems out of which the “Calamus” cluster grew, Whitman scholar Betsy Erkkila brings together in a single edition for the first time the “Live Oak, with Moss” poems, the 1860 “Calamus” poems, and the final 1881 “Calamus” poems. In addition to honoring the sesquicentennial of the “Calamus” cluster, she celebrates the ongoing legacy of Whitman’s songs of manly passion, sex, and love. The volume begins with Whitman’s elegantly handwritten manuscript of the “Live Oak, with Moss” poems, printed side by side with a typeset transcription and followed by a facsimile of the 1860 version of the “Calamus” poems. The concluding section reprints the final version of the “Calamus” poems from the 1881 edition of Leaves of Grass. In an afterword, Erkkila discusses the radical nature of these poems in literary, sexual, and social history; the changes Whitman made in the “Live Oak” and “Calamus” poems in the post–Civil War and Reconstruction years; the literary, political, and other contests surrounding the poems; and the constitutive role the poems have played in the emergence of modern heterosexual and homosexual identity in the United States and worldwide. The volume closes with a selected bibliography of works that have contributed to the critical and interpretive struggles around Whitman’s man-loving life. One hundred and fifty years after Whitman’s brave decision to speak publicly about a fully realized democracy, his country is still locked in a struggle over the rights of homosexuals. These public battles have been at the very center of controversies over the life, work, and legacy of Walt Whitman, America’s (and the world’s) major poet of democracy and its major singer of what he called “manly love” in all its moods. Together the poems in this omnibus volume affirm his creation of a radical new language designed to convey and affirm the poet’s man love.
Author: Derek Johnson
Publisher: NYU Press
Release Date: 2013-03-22
Genre: Social Science
"Johnson astutely reveals that franchises are not Borg-like assimilation machines, but, rather, complicated ecosystems within which creative workers strive to create compelling 'shared worlds.' This finely researched, breakthrough book is a must-read for anyone seeking a sophisticated understanding of the contemporary media industry." —Heather Hendershot, author of What's Fair on the Air?: Cold War Right-Wing Broadcasting and the Public Interest While immediately recognizable throughout the U.S. and many other countries, media mainstays like X-Men, Star Trek, and Transformers achieved such familiarity through constant reincarnation. In each case, the initial success of a single product led to a long-term embrace of media franchising—a dynamic process in which media workers from different industrial positions shared in and reproduced familiar cultureacross television, film, comics, games, and merchandising. In Media Franchising, Derek Johnson examines the corporate culture behind these production practices, as well as the collaborative and creative efforts involved in conceiving, sustaining, and sharing intellectual properties in media work worlds. Challenging connotations of homogeneity, Johnson shows how the cultural and industrial logic of franchising has encouraged media industries to reimagine creativity as an opportunity for exchange among producers, licensees, and evenconsumers. Drawing on case studies and interviews with media producers, he reveals the meaningful identities, cultural hierarchies, and struggles for distinction that accompany collaboration within these production networks. Media Franchising provides a nuanced portrait of the collaborative cultural production embedded in both the media industries and our own daily lives.
Volume 1 of the official and complete Omnibus for Oh My Gods! - the Pagan Based Comic Strip for the Polytheistic Masses!TM, including all original misspellings! Oh My Gods! is a webcomic written and illustrated by Shivian Balaris, which debuted in March 7th, 2002 and reached its finale on June 3rd, 2010. It's primarily a humorous take in the life of Neopagan, Pagan, Wiccan faiths, and their interactions with Christian Fundamentalists, homosexuals, and more. The strip's most frequent area of focus for it's humor, however, was to make fun of 'itself' (the neopagan community it lived amongst).
This is the extended and annotated edition including * an extensive biographical annotation about the author and his life Calvin produced commentaries on most of the books of the Bible. His commentaries cover the larger part of the Old Testament, and all of the new excepting Second and Third John and the Apocalypse. His commentaries and lectures stand in the front rank of Biblical interpretation. THE EPISTLES OF PAUL TO THE CORINTHIANS form a most important part of the Sacred Writings. Though not so systematic as the Epistle to the ROMANS, they contain many passages, bearing directly on the fundamentally important doctrines of the Christian system, while they are of the highest utility in connection with Practical Theology. The disorders that had unhappily crept into the Church at Corinth, gave occasion for the Apostle’s handling at greater length than in any of his other Epistles various important points as to doctrine and worship; while the relaxed state of discipline that had begun to prevail among them rendered it necessary to exhibit more fully the principles which ought to regulate the administration of the Christian Church. In this the overruling hand of Him who brings good out of evil is strikingly apparent. This volume contains chapters 15 and 16 along with the whole Second Epistle.
This book provides a reassessment of the writings of Hartley Coleridge and Dorothy Wordsworth and presents them in a new poetics of relationship, re-evaluating their relationships with William Wordsworth and Samuel Taylor Coleridge to restore a more accurate understanding of Hartley and Dorothy as independent and original writers.