What if you thought you lived in a world that felt like a prison, full of slavery and oppression? That is the premise behind Persona 5, where the teenagers feel just that, with them being ruled by corrupted and twisted adults. In order to seek freedom, they live dual lives, being students during the day and Phantom Thieves at night. With the help of a mysterious smartphone app, they enter another world, where they "steal" the hearts of the corrupt adults in order to reform them. This guide will contain the following once it is completely finished: - A complete beginning-to-end walkthrough, with detailed boss strategies - A detailed look into all of the Confidants - Every single Request that takes you into the mysterious Mementos - Coverage of every single mini-game - The location of every single Persona in the game, including a detailed look into Fusion - A comprehensive trophy guide that will get you that elusive platinum trophy
Author: Emmanuela Bakola
Publisher: Oxford University Press
Release Date: 2010
A thorough study of Cratinus, a highly influential fifth-century Athenian dramatist whose work survives in fragments today. As well as providing insight into Cratinus himself, the book enriches our understanding of ancient Greek comedy in a dynamic evolving environment.
Author: Chris Head
Publisher: Bloomsbury Publishing
Release Date: 2018-07-12
Genre: Performing Arts
Stand-up: it's the ultimate solo art form. Yet, behind the scenes, you will increasingly find the shadowy figure of a director. For comics themselves and for those who support them, this is the first book to give the director's perspective on creating and performing stand-up comedy. Drawing on his own experience of directing stand-up alongside speaking to comedians and their directors, Chris Head produces a revealing perspective on the creative process, comic persona, writing stand-up, structuring material and delivering a performance. Directors interviewed include Logan Murray, John Gordillo and Simon McBurney, who between them have directed Eddie Izzard, Michael McIntyre, Milton Jones, Lenny Henry and French & Saunders. With a foreword by BBC arts editor Will Gompertz and contributions from many other interviewees including Oliver Double (author of Getting the Joke), this is the only book that goes all the way from one-liners to theatre via comedy club sets and full-length shows. Perfect for stand-ups from newbies to pros, students of comedy, academics studying and teaching stand-up and for directors themselves, A Director's Guide to the Art of Stand-up offers hundreds of inspiring practical insights and shows how creating the comedian's highly personal, individual act can be a deeply collaborative process.
Author: Edward Craig
Publisher: Taylor & Francis
Release Date: 1998
Review: "Depth and breadth of coverage, clarity of presentation, impressive bibliographies, excellent use of cross references, and an extensive index combine to make this an impressive reference work. The contributors have addressed both current and past scholarship on world philosophy and religion and have produced a worthy successor to Macmillan's 1967 Encyclopedia of Philosophy. It will be read and understood by the educated public as well as scholars and will be a fine addition to academic and large public library reference collections."--"Outstanding Reference Sources : the 1999 Selection Sources Committee, RUSA, ALA.
Author: William J. Landon
Publisher: University of Toronto Press
Release Date: 2013-10-30
Genre: Literary Criticism
By 1520, Niccolò Machiavelli’s life in Florence was steadily improving: he had achieved a degree of literary fame, and, following his removal from the Florentine Chancery by the Medici family, he had managed to gain their respect and patronage. But there is one figure whose substantial contributions to Machiavelli’s restoration has been hitherto neglected – Lorenzo di Filippo Strozzi (1482–1549), a younger and fabulously wealthy Florentine nobleman. As manuscript evidence suggests, Strozzi brought Machiavelli into his patronage network and aided many of his post-1520 achievements. This book is the first English biography of Strozzi, as well as the first examination of the patron-client relationship that developed between the two men. William J. Landon reveals Strozzi’s influence on Machiavelli through wide-ranging textual investigations, and especially through Strozzi’s Pistola fatta per la peste – a work that survives as a Machiavelli autograph, and for which Landon has provided the first ever complete English translation and critical edition.
Master artist Shigenori Soejima returns with a new collection of gorgeous illustrations. Included are amazing visuals for video games Catherine and Persona 5, plus a bevy of new pieces for other installments in the Persona series and its many spin-offs. It's all topped off by exclusive interviews with the artist himself and the creative team at P-Studio Art Unit.
Author: Hugo Walter
Publisher: Peter Lang
Release Date: 2010
Genre: Literary Collections
This collection of insightful and provocative essays explores the theme of sanctuaries of light in nineteenth-century European literature, especially in selected works by William Wordsworth, E.T.A. Hoffmann, Joseph von Eichendorff, and Charlotte Bronte. These sanctuaries of light, natural beauty, and serenity comfort, nurture, and revitalize the heart, mind, and soul of the individual and inspire creative expression. This book will be of interest to professors, teachers, and scholars in the fields of English literature, German literature, European literature, comparative literature, and cultural studies."
Author: Tom Hill
Publisher: Andrews UK Limited
Release Date: 2014-03-12
Genre: Sports & Recreation
This book gives the reader a whole host of tools - both practical and psychological - which will help them achieve the status of a self-defence master. With thirty-two chapters covering a range of subjects from fitness to body language to eye contact, this book is not your run-of-the-mill martial arts manual. It is written by self-defence expert and 6th Dan Tom Hill, and those with an interest in the mental techniques of attack and defence will no doubt enjoy it greatly.
Author: Jonathan Harris
Release Date: 2002-09-11
The New Art History provides a comprehensive introduction to the fundamental changes which have occurred in both the institutions and practice of art history over the last thirty years. Jonathan Harris examines and accounts for the new approaches to the study of art which have been grouped loosely under the term 'the new art history'. He distinguishes between these and earlier forms of 'radical' or 'critical' analysis, explores the influence of other disciplines and traditions on art history, and relates art historical ideas and values to social change. Structured around an examination of key texts by major contemporary critics, including Tim Clarke, Griselda Pollock, Fred Orton, Albert Boime, Alan Wallach and Laura Mulvey, each chapter discusses a key moment in the discipline of art history, tracing the development and interaction of Marxist, feminist and psychoanalytic critical theories. Individual chapters include: * Capitalist Modernity, the Nation-State and Visual Representation * Feminism, Art, and Art History * Subjects, Identities and Visual Ideology * Structures and Meanings in Art and Society * The Representation of Sexuality
This book deals with the poetics of the human face, the art of physiognomy, and strategies of nonverbal communication in Shakespeare’s plays. It offers new insight into Shakespeare’s modes of characterisation, and his art of performance. In Shakespeare’s plays, the human face is a focal point. As an area where expression and impression meet (and, ideally, correspond), its reliability and trustworthiness are frequently put to the test, sparking off a controversy which serves as a significant and highly challenging subtext to the overall plot.
Author: Dr Simon Zagorski-Thomas
Publisher: Ashgate Publishing, Ltd.
Release Date: 2012-10-28
The playback of recordings is the primary means of experiencing music in contemporary society, and in recent years 'classical' musicologists and popular music theorists have begun to examine the ways in which the production of recordings affects not just the sound of the final product but also musical aesthetics more generally. Record production can, indeed, be treated as part of the creative process of composition. At the same time, training in the use of these forms of technology has moved from an apprentice-based system into university education. Musical education and music research are thus intersecting to produce a new academic field: the history and analysis of the production of recorded music. This book is designed as a general introductory reader, a text book for undergraduate degree courses studying the creative processes involved in the production of recorded music. The aim is to introduce students to the variety of approaches and methodologies that are currently being employed by scholars in this field. The book is divided into three sections covering historical approaches, theoretical approaches and case studies and practice. There are also three interludes of commentary on the academic contributions from leading record producers and other industry professionals. This collection gives students and scholars a broad overview of the way in which academics from the analytical and practice-based areas of the university system can be brought together with industry professionals to explore the ways in which this new academic field should progress.
Author: Luca Grillo
Publisher: Cambridge University Press
Release Date: 2012-01-19
Traditional approaches have reduced Caesar's Bellum Civile to a tool for teaching Latin or to one-dimensional propaganda, thereby underestimating its artistic properties and ideological complexity. Reading strategies typical of scholarship on Latin poetry, like intertextuality, narratology, semantic, rhetorical and structural analysis, cast a new light on the Bellum Civile: Ciceronian language advances Caesar's claim to represent Rome; technical vocabulary reinforces the ethical division between 'us' and the 'barbarian' enemy; switches of focalization guide our perception of the narrative; invective and characterization exclude the Pompeians from the Roman community, according to the mechanisms of rhetoric; and the very structure of the work promotes Caesar's cause. As a piece of literature interacting with its cultural and socio-political world, the Bellum Civile participates in Caesar's multimedia campaign of self-fashioning. A comprehensive approach, such as has been productively applied to Augustus' program, locates the Bellum Civile at the interplay between literature, images and politics.