Author: Chuck Palahniuk
Publisher: W. W. Norton & Company
Release Date: 2005-10-17
The first rule about fight club is you don't talk about fight club. In his debut novel, Chuck Palahniuk showed himself to be his generation's most visionary satirist. Fight Club's estranged narrator leaves his lackluster job when he comes under the thrall of Tyler Durden, an enigmatic young man who holds secret boxing matches in the basement of bars. There two men fight "as long as they have to." A gloriously original work that exposes what is at the core of our modern world.
In a confusing world poised on the brink of mayhem, Tyler Durden, a projectionist, waiter, and anarchic genius, comes up with an idea to create clubs in which young men can escape their humdrum existence and prove themselves in barehanded fights
Author: Chuck Palahniuk
Publisher: W. W. Norton & Company
Release Date: 1996
In a confusing world poised on the brink of mayhem, Tyler Durden, a projectionist, waiter, and anarchic genius, comes up with an idea to create clubs in which young men can escape their humdrum existence and prove themselves in barehanded fights. A first novel. First serial, Story Magazine. Tour.
Ten years after starting Project Mayhem, our unnamed hero lives a mundane life. A kid, a wife. Pills to keep his destiny at bay. But it won't last long, the wife has seen to that. He's back where he started, but this go-round he's got more at stake than his own life. The time has arrived: 'Rize or Die'! New York Times bestselling novelist Chuck Palahniuk and acclaimed artist Cameron Stewart have collaborated for one of the most highly anticipated comic book and literary events of 2015 - the return of Tyler Durden.
Author: Read Mercer Schuchardt
Publisher: BenBella Books, Inc.
Release Date: 2015-01-06
Genre: Performing Arts
Pervasive and multidisciplinary, this insightful exploration discusses how and why this seminal work developed, and continues to grow, such a cult following. When Fight Club punched its way onto the scene a decade ago, it provided an unprecedented glimpse into the American male’s psyche and rapidly turned into a euphemism for a variety of things that should be “just understood” and not otherwise acknowledged. Key to its success is the variety of lenses through which the story can be interpreted; is it a story of male anxiety in a metrosexual world, of ritual religion in a secular age, of escape from totalitarian capitalism, or the spiritual malaise induced by technologically-oriented society? Writers, conspiracy theorists, and philosophers are among those ready to talk about Fight Club’s ability to be all these and more.
Author: Mark Ramey
Publisher: Columbia University Press
Release Date: 2014-08-05
Genre: Performing Arts
Fight Club is, on one level, pop-culture phenomena and on another, a deeply philosophical and satirical exploration of modern life. David Fincher’s 1999 film (and Chuck Palahniuk’s source novel) has had a huge impact on audiences worldwide leading to spoofs, homage, merchandising and numerous Internet fan sites. On initial release the film was met with wide hostility from critics who either failed to appreciate its satirical intent or believed the film failed to deliver on its satirical promise. Early in its DVD afterlife, however, a wider audience began to appreciate the film’s significance and radical message. Although attracted by the film’s playfulness and star wattage, however, many students struggle with its theoretical notions such as Capitalism, materialism, anarchy and so on. This is one film, which therefore merits a thoughtful and provocative analysis but also an accessible one, and Mark Ramey has provided just that.
Author: Thomas E. Wartenberg
Release Date: 2013-03-01
Genre: PERFORMING ARTS
Released in 1999, Fight Club is David Fincher’s popular adaption of Chuck Palahniuk’s cult novel, and one of the most philosophically rich films of recent years. This is the first book to explore the varied philosophical aspects of the film. Beginning with an introduction by the editor that places the film and essays in context, each chapter explores a central theme of Fight Club from a philosophical perspective. Topics discussed include: Fight Club, Plato’s cave and Descartes’ cogito moral disintegration identity, gender and masculinity visuals and narration. Including annotated further reading at the end of each chapter, Fight Club is essential reading for anyone interested in the film, as well as those studying philosophy and film studies.
"A billion husbands are about to be replaced." From the author of Fight Club, the classic portrait of the damaged contemporary male psyche, now comes this novel about the apocalyptic marketing possibilities of a new product that gives new meaning to the term "self-help." Penny Harrigan is a low-level associate in a big Manhattan law firm with an apartment in Queens and no love life at all. So it comes as a great shock when she finds herself invited to dinner by one C. Linus Maxwell, a software mega-billionaire and lover of the most gorgeous and accomplished women on earth. After dining at Manhattan's most exclusive restaurant, he whisks Penny off to a hotel suite in Paris, where he proceeds, notebook in hand, to bring her to previously undreamed-of heights of gratification for days on end. What's not to like? This: Penny discovers that she is a test subject for the final development of a line of feminine products to be marketed in a nationwide chain of boutiques called Beautiful You. So potent and effective are these devices that women by the millions line up outside the stores on opening day and then lock themselves in their room with them and stop coming out. Except for batteries. Maxwell's plan for battery-powered world domination must be stopped. But how? From the Hardcover edition.
Tell-All is many things: A Sunset Boulevard-inflected homage to Old Hollywood when Grand Dames like Bette Davis and Joan Crawford ruled the roost. A Douglas Sirk-inspired melodrama full of big gestures and muted psychic torment. A veritable Tourette's syndrome of rat-tat-tat name-dropping, from the A-list to the Z-list. A merciless send-up of Lillian Hellman's habit of butchering the truth that will have Mary McCarthy cheering from the beyond.
Madison Spencer, the liveliest and snarkiest dead girl in the universe, continues the afterlife adventure begun in Chuck Palahniuk’s bestseller Damned. Just as that novel brought us a brilliant Hell that only he could imagine, Doomed is a dark and twisted apocalyptic vision from this provocative storyteller. The bestselling Damned chronicled Madison’s journey across the unspeakable (and really gross) landscape of the afterlife to confront the Devil himself. But her story isn’t over yet. In a series of electronic dispatches from the Great Beyond, Doomed describes the ultimate showdown between Good and Evil. After a Halloween ritual gone awry, Madison finds herself trapped in Purgatory—or, as mortals like you and I know it, Earth. She can see and hear every detail of the world she left behind, yet she’s invisible to everyone who’s still alive. Not only do people look right through her, they walk right through her as well. The upside is that, no longer subject to physical limitations, she can pass through doors and walls. Her first stop is her parents’ luxurious apartment, where she encounters the ghost of her long-deceased grandmother. For Madison, the encounter triggers memories of the awful summer she spent upstate with Nana Minnie and her grandfather, Papadaddy. As she revisits the painful truth of what transpired over those months (including a disturbing and finally fatal meeting in a rest stop’s fetid men’s room, in which . . . well, never mind), her saga of eternal damnation takes on a new and sinister meaning. Satan has had Madison in his sights from the very beginning: through her and her narcissistic celebrity parents, he plans to engineer an era of eternal damnation. For everyone. Once again, our unconventional but plucky heroine must face her fears and gather her wits for the battle of a lifetime. Dante Alighieri, watch your back; Chuck Palahniuk is gaining on you.
Victor Mancini, a medical-school dropout, is an antihero for our deranged times. Needing to pay elder care for his mother, Victor has devised an ingenious scam: he pretends to choke on pieces of food while dining in upscale restaurants. He then allows himself to be “saved” by fellow patrons who, feeling responsible for Victor’s life, go on to send checks to support him. When he’s not pulling this stunt, Victor cruises sexual addiction recovery workshops for action, visits his addled mom, and spends his days working at a colonial theme park. His creator, Chuck Palahniuk, is the visionary we need and the satirist we deserve.
Assigned to a story on Sudden Infant Death Syndrome, fortyish journalist Carl Streator finds a poetry anthology that contains an African chant that becomes lethal when spoken or thought in someone's direction, is transformed into an involuntary serial killer, and embarks on a cross-country odyssey to destroy all copies of the book before humankind itself is destroyed. Reprint. 175,000 first printing.
Think adolescence is hell? You have no idea... Welcome to Dante's Inferno, by way of The Breakfast Club, from the mind of American fiction's most brilliant troublemaker. "Death, like life, is what you make out of it." So says Madison, the whip-tongued 11-year-old narrator of Damned, Chuck Palahniuk's subversive homage to the young adult genre. Madison is abandoned at her Swiss boarding school over Christmas while her parents are off touting their new film projects and adopting more orphans. Over the holidays she dies of a marijuana overdose--and the next thing she knows, she's in Hell. This is the afterlife as only Chuck Palahniuk could imagine it: a twisted inferno inspired by both the most extreme and mundane of human evils, where The English Patient plays on repeat and roaming demons devour sinners limb by limb. However, underneath Madison's sad teenager affect there is still a child struggling to accept not only the events of her dysfunctional life, but also the truth about her death. For Madison, though, a more immediate source of comfort lies in the motley crew of young sinners she meets during her first days in Hell. With the help of Archer, Babette, Leonard, and Patterson, she learns to navigate Hell--and discovers that she'd rather be mortal and deluded and stupid with those she loves than perfect and alone. From the Hardcover edition.
People pass the word only to those they trust most: Adjustment Day is coming. They've been reading a mysterious book and memorizing its directives. They are ready for the reckoning. Adjustment Day, the author's first novel in four years, is an ingeniously comic work in which Chuck Palahniuk does what he does best: skewer the absurdities in our society. Smug, geriatric politicians bring the nation to the brink of a third world war in an effort to control the burgeoning population of young males; working-class men dream of burying the elites; and professors propound theories that offer students only the bleakest future. Into this dyspeptic time a blue-black book is launched carrying such wisdom as: Imagine there's no God. There is no Heaven or Hell. There is only your son and his son and his son and the world you leave for them. The weak want you to forgo your destiny just as they've shirked theirs. A smile is your best bulletproof vest. When Adjustment Day arrives, it fearlessly makes real the logical conclusion of every separatist fantasy, alternative fact, and conspiracy theory lurking in the American psyche.