The Future of Postcolonial Studies celebrates the twenty-fifth anniversary of the publication of The Empire Writes Back by the now famous troika - Bill Ashcroft, Gareth Griffiths and Helen Tiffin. When The Empire Writes Back first appeared in 1989, it put postcolonial cultures and their post-invasion narratives on the map. This vibrant collection of fifteen chapters by both established and emerging scholars taps into this early mapping while merging these concerns with present trends which have been grouped as: comparing, converting, greening, post-queering and utopia. The postcolonial is a centrifugal force that continues to energize globalization, transnational, diaspora, area and queer studies. Spanning the colonial period from the 1860s to the present, The Future of Postcolonial Studies ventures into other postcolonies outside of the Anglophone purview. In reassessing the nation-state, language, race, religion, sexuality, the environment, and the very idea of 'the future,' this volume reasserts the notion that postcolonial is an "anticipatory discourse" and bears testimony to the driving energy and thus the future of postcolonial studies.
Author: Edward Said
Publisher: A&C Black
Release Date: 2014-07-08
Genre: Literary Criticism
On Late Style examines the work produced by great artists -Beethoven, Thomas Mann, Jean Genet among them - at the end of their lives. Said makes it clear that, rather than the resolution of a lifetime's artistic endeavour, most of the late works discussed are rife with contradiction and almost impenetrable complexity. He helps us see how, though these works often stood in direct contrast to the tastes of society, they were, just as often, announcements of what was to come in the artist's discipline - works of true artistic genius.
Author: Reina Lewis
Release Date: 2013-06-17
Genre: Social Science
In contrast to most cultural histories of imperialism, which analyse Orientalist images of rather than by women, Gendering Orientalism focuses on the contributions of women themselves. Drawing on the little-known work of Henriette Browne, other `lost' women Orientlist artists and the literary works of George Eliot, Reina Lewis challenges masculinist assumptions relating to the stability and homogeneity of the Orientalist gaze. Gendering Orientalism argues that women did not have a straightforward access to an implicitly nale position of western superiority, Their relationship to the shifting terms of race, nation and gender produced positions from which women writers and artists could articulate alternative representations of racial difference. It is this different, and often less degrading, gaze on the Orientalized `Other' that is analysed in this book. By revealing the extent of women's involvement in the popular field of visual Orientalism and highlighting the presence of Orientalist themes in the work of Browne, Eliot and Charlotte Bronte, reina Lewis uncovers women's roles in imperial culture and discourse. Gendering Orientalism will appeal to students, lecturers and researchers in cultural studies, literature, art history, women's studies and anthropology.
Author: Edward W. Said
Release Date: 2012-10-24
In works such as Culture and Imperialism, Said has compelled us to question our culture's most privileged myths. Now with this impassioned and incisive book, our foremost Palestinian-American intellectual challenges the official version of the Middle East "peace process." "He challenges and stimulates our thinking in every area."-- Washington Post Book World.
Author: Lisa Lowe
Publisher: Cornell University Press
Release Date: 2018-02-15
Genre: Literary Criticism
Examining and historicizing the concept of "otherness" in both literature and criticism, Lisa Lowe explores representations of non-European cultures in British and French writings from the eighteenth through the twentieth century. Lowe traces the intersections of culture, class, and sexuality in Lady Mary Wortley Montagu’s Turkish Embassy Letters and Montesquieu’s Lettres persanes and discusses tropes of orientalism, racialism, and romanticism in Flaubert. She then turns to debates in Anglo-American and Indian criticism on Forster’s Passage to India and on the utopian projection of China in the poststructuralist theories of Julia Kristeva and Roland Barthes and in the journal Tel Quel.
Author: Homi K. Bhabha
Publisher: Walter de Gruyter
Release Date: 2011-03-29
Homi K. Bhabha delivered the 2010 Hegel lecture, evoking the spirit of Hegel in an attempt to understand contemporary issues of ethical witness, historical memory and the rights and representations of minorities in the cultural sphere. Who is our neighbour today? What does hospitality mean for our times? Why is the recognition of others such an agonizing encounter with the alterity of the self?The lecture examplifies how the “Third Space” - one of the key theories of Postcolonialism - helps us to establish a new understanding of cosmopolitanism and hospitality in a globalized world, based on the right of difference in equality.
The experience of the divine in India merges the three components of sight, performance, and sound. This book is about the power and importance of seeing in the Hindu religious tradition. In the Hindu view, not only must the gods keep their eyes open, but so must we, in order to make contact with them, to reap their blessings, and to know their secrets. When Hindus go to temple, their eyes meet the powerful, eternal gaze of the eyes of God. It is called Darsan, Seeing the divine image, and it is the single most common and significant element of Hindu worship. This book explores what darsan means. This is also a book about the divine image in the Hindu tradition. What do Hindus see in the images of the gods? What is meant by these multi-armed gods, with their various weapons, emblems, and animals? How are these images made and consecreted? How are they treated in a ritual context? In exploring the nature of the divine image, this book not only considers the images of the gods, but also the Hindu temple and the Hindu place of pilgrimage.
Author: Dennis Porter
Publisher: Princeton University Press
Release Date: 2014-07-14
Focusing on travel journals by writers, navigators, philosophers, scientists, and anthropologists--from the eighteenth-century grand tour to the modern period--Dennis Porter explores how male authors at different historical moments conceptualized and represented the lands they encountered. Efforts to portray unfamiliar peoples and cultures are shown to give rise to rich and complex works, in which individual psychic investments frequently subvert an inherited cultural discourse. In exploring the various uses and pleasures of travel, Porter interprets it as a transgressive activity animated by desire and haunted by different forms of guilt. Broad in its historical scope and interdisciplinary in its approach, the book draws on literary theory, psychoanalysis, gender criticism, and the social history of ideas. Texts analyzed include works by Boswell, Diderot, Bougainville, Cook, Stendhal, Darwin, Flaubert, Freud, D. H. Lawrence, T. E. Lawrence, Gide, Lvi-Strauss, Barthes, and V. S. Naipaul. Originally published in 1990. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Author: Elizabeth D. Harvey
Publisher: University of Pennsylvania Press
Release Date: 2016-03-18
This ground-breaking interdisciplinary collection explores the complex, ambiguous, and contradictory sense of touch in early modern culture. If touch is the sense that mediates between the body of the subject and the world, these essays make apparent the frequently disregarded lexicons of tactility that lie behind and beneath early modern discursive constructions of eroticism, knowledge, and art. For the early moderns, touch was the earliest and most fundamental sense. Frequently aligned with bodily pleasure and sensuality, it was suspect; at the same time, it was associated with the authoritative disciplines of science and medicine, and even with religious knowledge and artistic creativity. The unifying impulse of Sensible Flesh is both analytic and recuperative. It attempts to chart the important history of the sense of touch at a pivotal juncture and to understand how tactility has organized knowledge and defined human subjectivity. The contributors examine in theoretically sophisticated ways both the history of the hierarchical ordering of the senses and the philosophical and cultural consequences that derive from it. The essays consider such topics as New World contact, the eroticism of Renaissance architecture, the Enclosure Acts in England, plague, the clitoris and anatomical authority, Pygmalion, and the language of tactility in early modern theater. In exploring the often repudiated or forgotten sense of touch, the essays insistently reveal both the world of sensation that subtends early modern culture and the corporeal foundations of language and subjectivity.
Author: Jane Miller
Release Date: 1991
Genre: Literary Criticism
Miller borrows Antonio Gramsci's idea of "hegemony," using it to contextualize her readings of two famous literary seductions, as told through Richardson's Clarissa and Jane Austen's Sense and Sensibility. The second chapter focuses on Raymond Williams' novels and criticism, using them to chart the larger exclusions of feminism by Marxism. The author enlists Carolyn Steedman's Landscape for a Good Woman in an attempt to survey Williams' telling silences. The third chapter reconstructs and analyzes the life and career of Clara Collet, Miller's great-aunt, close friend of George Gissing, civil servant, and expert on women's education and work. Through Collet, Miller bestows individual color on the pressures inflicted on professional women to assume male perspectives and procedures. The fourth chapter is superb
Author: Mark S. G. Dyczkowski
Publisher: Motilal Banarsidass Publ.
Release Date: 1989
Cutting across distinctions of schools and types, the author explains the central feature of Kashmir Saivism: the creative pulse of the all-pervasive Consciousness called Siva. This is also the central theme of the Hindu Tantras, and Dyczkowski provides new insight into the most literate and extensive interpretations of the Tantras. This book is significant from four points of view. First, it breaks new ground in Indian philosophy. According to the Spanda Doctrine, the self is not simply witnessing consciousness as maintained by Sankhya and Vedanta, but is an active force. Second, the ultimate reality is not simply a logical system of abstract categories, but is living, pulsating energy, the source of all manifestation. Third, the work elaborates the dynamic aspect of consciousness. It supplies an excellent introduction to the texts and scriptures of Kashmir Saivism. Fourth, it suggests a Yoga for the realization of self.
Kundalini's power lies dormant in humans until it is awakened. The awakened Kundalini expresses the primal divine impulse and ultimately joins the individual with the divine. The development of the book parallels the development of the Kundalini within. Part One exposes the awakening and unfolding of the Kundalini; Part Two describes the piercing of the energy centers and the stages of ascent through the body; and Part Three examines Kundalini's relation to sexual expression. The book provides a deep understanding of Tantra and of the underlying purpose of Tantracism. The author carefully considers the Caryakrama practices of sexual expression as a means of awakening and controlling Kundalini. Silburn draws together passages from the Trika, Krama, and Kaula systems ranging through Abhinavagupta and Lalla and provides both translation and commentary for them. Chapters on the Chakras, the Nadis, and on mantras further elucidate the topic and lead to a forceful conclusion: Kundalini is the source of ultimate human knowledge and power.